THE SHOW PREMIERED MARCH 24, 1969. DAMN!! WAS IT REALLY THAT LONG AGO?
FREE STUFF!!! SEE T-SHIRTS & POSTER PAGES
Ever wonder why the show seemed so special? Simply put it was an extremely fortunate confluence of a ton of extremely talented people. Starting with the creator Denne Petitclerc.
CHRISTMAS TREE ANGELS, ERNEST HEMINGWAY,
AND THEN CAME BRONSON
Where it all began.
CREATED AND WRITTEN BY
DENNE BART PETITCLERC
Born on May 15, 1929, in Montesano, Wash., Denne Bart Petitclerc was only 5 years old when his father took him shopping and told him to look at the big angel on top of a department store Christmas tree. "Stay here, son," he was told as he gazed at the angel. "I'll be right back."His father never returned.
Mr. Petitclerc and his older sister were soon placed in an orphanage in San Jose so his mother could go to school. His mother kept in touch with her children but lived her own life, according to relatives. At age 13, Mr. Petitclerc moved in with a foster family, dropped out of school and worked for a time in the oil fields. He wanted so badly to become a writer that he copied Hemingway's books in longhand, hoping the practice would teach him spelling and grammar.
After a brief stint with the Santa Rosa Press Democrat, where he was nearly fired because of his poor spelling, he was hired by the Miami Herald. At the Herald, he became infuriated by a newspaper review that claimed the short sentence was Hemingway's only contribution to the English language. He wrote to Hemingway complaining about the review and recounted his own long hours studying the author's books. A week later, Hemingway called the newsroom and invited Mr. Petitclerc fishing, beginning a friendship that lasted the rest of the novelist's life and involved numerous trips to La Finca Vigia, the Hemingway home in Cuba.
Mr. Petitclerc covered the Cuban Revolution for the Herald and for The Chronicle(it was while working for the Chronicle that he came into contact with Birney Jarvis writer and former member of the Oakland chapter of Hell's Angels who would be the prototype for Jim Bronson) , where he went to work in the early 1960s. He wrote after Hemingway's suicide in 1961 that "the important thing that Hemingway had is still here and will be long after whatever it was that got him, gets you and me, and whatever comes after us."
In an era when reporters wore coats and ties, Mr. Petitclerc wore a Navy surplus coat and hat, looked like a merchant seaman and wrote prose that read as if from a Hemingway novel, according to his former colleagues. In a story about a bomb that was mistakenly dropped in San Francisco by a Navy plane, he described how it ricocheted around downtown office buildings and eventually "tumbled into the street below, hitting a Pacific Gas & Electric Company truck where three workmen sat munching their noon-time sandwiches." "Boy," one of the workers was quoted as saying, "next time we eat lunch with our hard hats on."
In 1962, he described the pain of baseball great Joe DiMaggio during the funeral procession for his ex-wife, Marilyn Monroe. "Unable to contain his grief any longer, he had leaned over her pale, beautiful face, murmuring, 'I love you, I love you,' and kissed the still lips."
Mr. Petitclerc, who lived in Sonoma at the time, left The Chronicle in the 1960s to work as a writer on the television series "Bonanza." In 1969, he created the NBC series "Then Came Bronson," about a motorcycle-riding former reporter searching for meaning in life. He wrote the pilot for "The High Chaparral" and worked on numerous other television shows.
At the request of Hemingway's widow, Mary, Mr. Petitclerc served as an unofficial executor of Hemingway's literary papers, according to Wanda Petitclerc. As such, she said, he helped edit "The Garden of Eden" and "Islands in the Stream," which were published after Hemingway's death.
Mr. Petitclerc wrote "Rage of Honor," which was published in 1966 and "Le Mans 24," a sort of companion book to the Steve McQueen movie "Le Mans," in 1971. He also co-wrote the 1981 novel "Destinies." A semiautobiographical screenplay called "Papa" was in pre-production at the time of Mr. Petitclerc's death. It is the story of a young journalist who finds a father figure in Hemingway during the Cuban Revolution.
"He never got over being abandoned, and many of the things he wrote about involved fathers and sons," said his wife. "Hemingway was married four times and had been criticized by his kids for being absent most of the time. Their friendship filled a void for both of them."
Besides his wife of 35 years, Mr. Petitclerc is survived by sons Scot of Venice (Los Angeles County) and, from a previous marriage, Bart of Grass Valley (Nevada County); daughters Gayle Petitclerc of Seattle and Jackie Nelson and Patricia Petitclerc, both of Nampa, Idaho; five grandchildren; and two great-grandchildren.
Bios of some of the other major players in the show's production will follow on later pages.
MERCHANDISE CAN NOW BE ORDERED AND PAID FOR VIA PAYPAL-DVDs available further down this page.
SEE THE T-SHIRTS POSTERS ETC TAB
FREE STUFF(well kinda free) WITH ORDERS FOR $40-$50-$60 OF MERCHANDISE
"IN AMERICA ALL MEN ARE CREATED EQUAL.
AND THEN, SOME BUY HARLEYS!!"
To navigate this site, click a page listed on the left. Once there click the tabs on the top of the page.
Check out the new Bixby Bridge video on NBC Page 2
I'm doing some overhaulin' on the site, so please excuse any spelling, logistical, or grammatical errors. My editor is currently in rehab trying to kick his ether habit but he assures me that when he's out he'll correct everything.
My GOOGLE placement for this site depends on hits. Please pass this site on to your friends. The more the merrier.
If you're not seeing "And Then Came Bronson" scrolling across the top of the page and not hearing the "Long Lonesome Highway" theme song, you'll have to download Macromedia's Flash andShockwave Players to enjoy these and others on the site. They're free, safe and unobtrusive.
"And Then Came Bronson"(That was the working title on the shooting script I have) was produced by MGM in 1968. The theatrical title was pared down to "Then Came Bronson" by the time it hit the small screen in the U.S. It was first shown in the U.S. on March 24, 1969 on NBC-TV as a movie of the week, starring Michael Parks and a red Harley Sportster. Coming close on the heels of the surprisingly successful "Easy Rider" cycle flick, NBC quickly adapted the movie to a one hour weekly series format. Contrary to popular belief, the TCB movie wasn't made in response to Easy Rider's popularity, it was in production pre Easy Rider. The movie version was released to foreign audiences as a theatrical feature film. The feature version was not shown to U.S. audiences for two reasons, and they were both on Bonnie Bedelia's bare chest(This version actually aired on TNT some years back. Unfortunately, the only version I was able to obtain was extremly low quality but the spirit was there) . I had speculated here that the NBC censors had made demands on the show's producers to tame down the Bedelia beach scene to make it suitable for American TV and therefore the scene had to be reshot. Wrong!! The real story was related to me by a very gracious gentleman who was crucial in the development and production of TCB. All you have to do is Google "Bob Justman" and you'll see that he is a giant in the industry and has a list of credits dating back to the start of Television's Golden Age. He was implemental in producing some of the finest products to hit both the small and large screen. He was kind enough to send me some TCB production stills and a couple of wonderful pictures of him and Gene Rodenberry. Enough said, Bob would be embarrased if I wrote all the praises I have for him, besides it's probably all been said before by his contempories.
Here's how the filming of that particular scene went down in his own words.
Re-shoot or Just Plain Shoot
There was never a "reshoot" of the bare breasted Bonnie Bedelia. There were always two versions: the first with Bonnie clad in the wedding dress and the second bare breasted, for a "foreign" version. We shot the 2 different versions on the same beach and same time. I should know because I was the producer of both the opening 2 hour movie and as well as all 26 episodes of the series. (Incidentially, I came up with the "eye of God" symbol for the Harley "sportster" gas tank. I sketched it out for Gabe, our art director on the 2-hour version and he refined it and printed a number of stick-ons for me. I still have a few left after all these years.) - Bob Justman 11-18-2003
There is a plaque that hangs in the Harley Museum in Milwaukee that immortalizes the TCB Eye. It has one of the aforementioned eyes mounted on it and describes TCB as a short lived 1969 television show that starred a Harley Sportster. It also mentions that the one in the museum is one of only five known to be in existence. In the course of our correspondence Bob sent me 4 of the original TCB Eye stickers. That would account for all of them. Two are going on my TCB replica Sportster, and the other two are mounted under glass. No doubt about it, Bob Justman is the personification of the term "class act". Here's thanking him for all he's brought to us over the years.
Goin' down that long lonesome highway. The pilot movie revolves around Jim Bronson, a young beat reporter in San Francisco. The opening scene has Bronson trying to talk his buddy Nick (played by a young Martin Sheen) out of jumping off the Golden Gate Bridge. Nick is fed up with his dead end factory job and admires Bronson's life. At the last moment before his suicide, Nick bequeaths Bronson his Harley Sportster, the most precious posession he has. After Nick goes through with the jump, Bronson attempts to console his widow. Returning to the newsroom he is confronted by a verbally abusive editor who pushes him over the edge himself. Confiding to a detective from the SFPD that "There's got to be something more", Bronson packs in the job and packs up THE BIKE, heading out the Pacific Coast Highway.
Don't jump Marty!! Think about "Apocalypse Now", "The West Wing", Charlie&Amilio!
Gonna live life my way.
Leaving San Francisco Bronson meets up with a haggard commuter stuck in rush hour traffic in a station wagon waiting at a stop light. This scene would become the opener for the TV series with the beleaguered organization man looking longingly at THE BIKE and, echoing the thoughts of fans for years to come, declares "Man, I wish I was you". To which Bronson gives the enduring reply,"Really? Well, hang in there." Roaring off across the Bixby Creek Bridge near Carmel on the scenic Pacific Coast Hwy, Bronson leaves the world behind and sets out on a series of adventures with the Big Sur and the Colorado Rockies as the backdrop. After running THE BIKE onto the beach and flipping out in a scene that suggests baptism and rejuvenation, Bronson witnesses a surreal scene on the beach involving a beautiful girl in a wedding dress (in the foriegn version, Bonnie Bedelia is bare breasted, but that was way tooooo risque for America 1969, so a silmultaneous shoot was done with her wearing a white bikini. Eventually in some versions though even that was too suggestive and the shot was pared down to just her bare shoulders.). The sexual tensions created in the nude scene are obviously more overt than in the TV version, which has an impact on the overall emotions of the whole movie(Whoa, big fella, you've apparently spent way too much time in Film Appreciation classes in college!). Needless to say, the runaway bride becomes Bronson's love-interest/antagonist for the rest of the film. True to form in the tradition of the old West, this modern day lonesome cowboy loves her and leaves her, riding off into the sunset not on a horse, but on an Iron Horse from Milwaukee with the "Eye of God" on the tank. The movie has taken on several permutations through various venues. There are differently edited versions around that were hacked up by TV station managers for various time considerations and to allow for more commercials. I've got a 16mm film print that I had converted to VHS that was missing a scene of about 6-8 minutes which seems to fit that criteria. I eventually found the lost footage and reedited it back into the 16mm conversion. Now through the wonders of Twenty First Century technology I've managed to digitize the movie and the entire 26 episodes onto 4 DVD disks.
MOVIE AND COMPLETE 26 EPISODE DVD SET
BEST SET AVAILABLE ON THE INTERWEBS
IN BOTH QUALITY AND PRICE
BELIEVE ME, I'VE SEEN THEM ALL
2 BONUS DISCS INCLUDED
MOVIE + COMPLETE 26 EPISODE SET
ON FOUR DVDs + TWO BONUS DISCS
$40 + $4 shipping.
ORDER BY DEC. 21 FOR DELIVERY BEFORE XMAS
CREDITS ETC. The film brought Michael Parks, a James Dean look alike, to the attention the American public as Jim Bronson, the antithesis to Peter Fonda and Dennis Hopper in that other 1969 cycle filck. Detractors quickly dubbed the show "Easy Rider Lite", but the Wednesday night series instantly attracted a huge following and is a cult favorite with Harley riders to this day. Many a Hog rider today got the inspiration to "live life my way" from the guy on the fire-apple red Sportster with the "Eye of God" on it. Inexplicably(I actually have found out why and will expound on that in the future), NBC cancelled the show after the initial 26 episodes of the first and only season. The Pilot Movie included the following credits:Click highlighted names for career credits. MICHAEL PARKS (Jim Bronson), MARTIN SHEEN (Nick),SHEREE NORTH(Gloria), BERT FREED (Editor), GARY MERRILL(Inspector Otis), BONNIE BEDELIA(Temple Brooks), AKIM TAMIROFF(Papa Bear) Written by: Denne Bart Petitclerc Directed by: William Graham
Really? Well, hang in there.
Check out the great TCB stuff for sale on the T-SHIRTS/POSTERS, etc. page.
Lest there be any confusion, this site is in no way connected with NBC,CBS,ABC, the BBC, or the CIA. It is also not connected in any with MICHAEL PARKS, BERT PARKS, ROSA PARKS, or THE NATIONAL PARKS. All TCB images copyright NBC/MGM or whoever currently holds them and are presented here for informational and educational purposes. In essence it is simply an homage to what was a very special TV show from a very special time, that for some unexplicable reason has remained lodged in the few remaining brain cells of this old hippie, and I've discovered that I'm not alone. It's my way of saying thanks for imbuing me early on with the philosophy that I was "gonna live life my way". It's a refrain that has stuck with me for all these years since 1969 and I'm still at it. Enjoy the site and come back often as it's in a constant state of flux. Just like Bronson, it's headed wherever the road leads. Thanks for the hit, and never never never!!!! let yourself become the guy in the station wagon!!!
HANG IN THERE!
HIT COUNT SINCE CREATION = 298,462 STATS PROVIDED BY GOOGLE ANALYTICS
Click the banner to go to Henry Jordan's Monster Daytona site.